Syllabus for the Course: Introduction to Women's and Gender Studies
Introduction to Women's and Gender Studies
Instructor: Katherine Arens
Dept. of Germanic Studies
E.P. Schoch 3.128; 1-4123
Course: Unique # 47245 TTH 12:30-2:00. MEZ 1.122
Note: The instructor for this course is trained in Germanic Studies, yet she is teaching a course that deals with complex historical, sociological and psychological issues. This course – the introductory course for the entire departmental curriculum -- is a schooling in the doctrines of radical feminism and Marxism. It is not an academic curriculum that poses questions and examines the status and condition of women from different points of view. Of the hundred or so books assigned in this course only one is critical of radical feminism. This is a book written by feminists, Daphne Patai and Noretta Koertge, who left Women’s Studies because,as they explained, the field was devoted to political ideology rather than academic scholarship. This is the way the syllabus for this course refers to the book: “Daphne Patai and Noretta Koertge, Professing Feminism, passim (note that this represents ANTI-women's studies -- prepare to refute it).” This comment illustrates how political this course is. This comment and the entire syllabus for this course are antithetic to the spirit of the university and to scholarship.
The course explicitly includes recruitment to feminist causes (“Find your cause and outreach.”) This a training program for political activists and ideologues, entirely inappropriate for an academic institution, as for a taxpayer-supported public institution.
This is a course of indoctrination in the ideology that governs the entire Center for Women’s and Gender Studies and its curriculum. This department should not become an approved major unless it is redesigned as an academic curriculum.
WGS Foundations I: Syllabus
Introduction to WGS:
From the Practical to the Critical to the Theoretical, with Praxis
Fall, 2004 Unique #47425 TTH 12:30-2:00, MEZ 1.112
Introduction to the Course:
Who are you -- what are your women's and gender studies (two plurals)?
PART I: Where does WGS come from?: History and Locus
Origins in the 19th Century: Political Roots
· Karen Offen, European Feminisms, passim
· Ann Taylor Allen, "The March through the Institutions" (opt.)
· Estelle B. Freedman, No Turning Back, passim
DISCUSSION QUESTION: Which projects distinguish these feminisms?
The Early 20th Century: The Practical Project (Anglo-American)
· Barbara Miller Solomon, In the Company of Educated Women, passim, esp. 1-140
DISCUSSION QUESTION: Which projects distinguish these feminisms?
The Latter 20th Century: The Political Project
DISCUSSION QUESTION: What distinguishes post-war feminisms?
Since 1985: The Theoretical and Institutionalized Critical Projects
· Liesbet van Zoonen, Feminist Media Studies
· Claire Duchen, Feminism in France
· Bonnie G. Smith, ed., Global Feminisms Since 1945
Backlash and Current Projects: From Institutionalized WGS through GLBT Theory and Identity Politics
· Susan Faludi, Backlash, Chaps. 1 & 2, Epilogue
· Karen Lehrman. "Off Course," and Responses to the article (the most public of WS exposés)
· Daphne Patai and Noretta Koertge, Professing Feminism, passim (note that this represents ANTI-women's studies -- prepare to refute it)
· --Review by Michiko Kakutani
· Deborah A. Burghardt, et al., "Women's Studies Faculty"
PART II: What do WGS professionals do?, 1: Authorization and Communities of Authority
Who are my people, 1?: Institutions, Organizations, and Disciplines, and Why You Need to Interface with Them
ASSIGNMENT 3 DUE: Find Your People in the Academy
CLASS DISCUSSION: financing women's studies
Who are my people, 2?: Activism and Community-Based WGS
· Excerpts from Leslie Heyword and Jennifer Drake, eds., Third Wave Agenda: Being Feminist, Doing Feminism
· Jennifer Baumbardner and Amy Richards, ManifestA, 1-86, 233-342, 267-381 (note that 323 on is reference sources of great note)
· local chapters of nationals (e.g. Feminist Majority), Austin and area
· campus outreach projects and community education
· community-based initiatives in Austin (guerrilla and community radio, coops, etc).
· state and local initiatives
· Identifying Forms of Output: How to make an impact--professional communication expectations
· CLASS DISCUSSION: What forms of professional communication will you need to master?
Find Your Cause and Outreach
· Class presentation: CVs, Resumés, grant proposals
Part III. The Academic Face of WGS = What do WGS professionals do?, 2: Skills, Outputs, Resources, and Self-Authorization
· Research and Professional Information-Gathering, 1: Using Primary Sources
GUEST: Elizabeth L. Garver, HRC.
TOPIC: Using Archival and Primary Sources at UT
Research and Professional Information-Gathering, 2: Secondary Sources
Topic: bibliographies, search engines, UT Library Online
GUEST PRESENTATION: Lindsey Schell, PCL;
TU Research Methods: Original Research and Analysis
· Shulamit Reinharz with Lynn Davidman, Feminist Methods in Social Research (passim -- read around)
ASSIGNMENT 8 due: Evaluating web-based resources.
Ethics of Research and Teaching:
CLASS DISCUSSION: what kinds of research I will need/problems in using existing resources as a feminist
PART III: Basics of Theory: The Roots
CLASS LECTURE: How feminist theory grew: roots and keys from Western thought
TU Models of History, Consciousness-Raising, and Revolution: Hegel and Marx to Critical Theory
· G. F. W. Hegel, Reason in History
· ---, Phenomenology of Spirit (excerpt)
· Karl Marx and Friedrich Engels, The German Ideology
· Friedrich Nietzsche, On the Genealogy of Morals
· Antonio Gramsci, selections from An Antonio Gramsci Reader
· Linda Nicholson. "Feminism and Marx"
· John Clark, et al., "Subcultures, Cultures, and Class"
· Nancy Fraser. "What's Critical About Critical Theory"
TU Signification, Marginalization, Consciousness: Freud to French Feminism
TU Post-Structuralism, Deconstruction, The Gaze, Alterity
· Michel Foucault, The Archaeology of Knowledge (excerpts)
· ---, "Two Lectures"
· Jacques Derrida, "Structure, Sign and Play in the Discourse of the Human Sciences"
· ---, "Differance"
· Toril Moi, "Appropriating Bourdieu"
· Laura Mulvey, Visual and Other Pleasures
· Annamarie Jagose, Queer Theory: An Introduction
Syllabus for the Course: Feminist Theories
Note: This is not an academic course about feminist theories, but a course that presents radical feminist theories as the only legimiate theories that explain the status, condition and history of women. This is indoctrination, not education. The course description clearly states, moreover, that these are “the feminist and gender theories guiding the work of feminist and gender scholars at the University of Texas.” In other words both students and professors must subscribe to these theories. This is a training program for political activists and ideologues, entirely inappropriate for an academic institution, and for a taxpayer-supported public institution.
WS 391 & RTF 386C—Feminist Theories Spring 2001
Janet Staiger, email@example.com
Course Description and Goals:
An introductory seminar exploring the richness and diversity of the feminist and
gender theories guiding the work of feminist and gender scholars at The University of Texas at Austin. The course will also introduce students to faculty who teach feminist
and gender theory and research courses through The University. See guest list and
contact information below.
Early Feminist Theories
Feminisms and Freud
Feminisms and the Arts
Revisions of Second-Wave Feminisms
Lesbian and Sexuality Critiques
Nationalisms and Postcolonial Theory
The Empire Strikes Back
Syllabus for the Course: Rhetoric of Feminist Spaces
Note: This is a course in the Division of Rhetoric and Writing shared with Women’s and Gender Studies. It is not about rhetoric or writing; it is about recruiting students to radical feminist causes. Students are required to do work with a feminist organization. This is simply recruitment to approved radical feminist causes. Some non-political organizations are also included to provide a respectable cover. No conservative women’s organizations are included. This is course is inappropriate to an institution of higher learning or to a taxpayer supported public institution.
Men Against Sexual Assault is a student organization at UT that gathers men to organize against sexual assault. http://studentorgs.utexas.edu/utmasa/
Mothers’ Milk Bank at Austin is a nonprofit organization that accepts donations of milk from healthy breastfeeding women, pasteurizes the milk, and dispenses it by prescription to premature and sick infants, primarily those in the hospital. http://www.mmbaustin.org/
Safe Place exists to end sexual and domestic violence and abuse. Safeplace helps those hurt by this violence to heal and empower themselves. We provide prevention, intervention, education and advocacy to our community so that women, children, and men may lead safe and healthy lives. http://www.austin-safeplace.org/home.htm
Story Circle Network is a national not-for-profit membership organization made up of women who want to explore their lives and their souls by exploring their personal stories. http://www.storycircle.org/index.html
Texas Abortion and Reprodocution Rights Action League is a non-partisan political organization working to defend reproductive choices by electing pro-choice candidates, lobbying during the Texas Legislative session, educating, and organizing pro-choice activists. http://www.taral.org/
Tomorrow’s Women in Science and Technology encourages young women to open new doors by continuing their math and science education. EYH also works to make young women aware of career opportunities in math and science fields and to provide young women an opportunity to become acquainted with female role models in math and science careers. http://www.twistinc.org/twist.html
Women and Their Work promotes the work of women artists through a range of services and multi-arts, multi-cultural programming. http://www.womenandtheirwork.org/
Women in Engineering Program was established in 1992 to recruit and retain female engineering students, to increase the percentage of female engineering graduates, and to provide a supportive structure that encourages the success of women in the College of Engineering at UT. WEP promotes the inclusion of women in the engineering community by mentoring and supporting women before, during, and after their UT experience. http://www.engr.utexas.edu/wep/
Women’s Advocacy Project mission is to provide free legal advice, expand legal education, and promote access to justice for Texas women in need. http://www.women-law.org/index.html
Women’s Resource Center. The mission of the WRC is to create a safe place that addresses the needs of all women. It raises awareness and facilitates open discussion of gender issues to provide a forum to explore beliefs, ideas, and experiences. Carrie Tilton-Jones, Co-Director, UT Women's Resource Center, lioness[remove to send]@ology.org; WRC phone: 512/232-4236.
YWCA of Greater Austin helps to build better lives for women and their families by partnering with other local and national organizations to offer various community programs such as mental health counseling, substance abuse counseling and case management, youth programs, wellness programs and professional education trainings. Karen Hunt: 326-1222; http://www.ywcaaustin.org/
RHE309K: Rhetoric of Feminist Spaces
Useful Links for Our Course
Third Wave Foundation: This organization offers scholarships to students 30 years old or younger (the generation of the Third Wave of feminism) who are involved in social justice work/activism and have financial need. They also offer specific scholarships to women of color students working with social justice. Scholarships range from $500 to $5,000. Your service learning for this class definitely qualifies as social justice work, so take a look at the application. They accept applications twice a year, by October 1 and by April 1.
Syllabus for the Course: Gender and Sexuality Issues in Media
Note: This is a course in the practice of the department’s radical feminist ideology as applied to media. It is not an academic examination of gender and sexuality issues in media.
Course Content and Goals:
This course will study general theories of gender and sexuality but with a special focus on the application of those theories to the study of media such as films, television, and popular music.
The book, Feminist Film Theory (FFT), is available at the local bookstores.
Introduction to the Course
Where We Are Now and A Short History
Initial Second-Wave Feminist Theory and Early Feminist Film Theory
Introduction of Structuralism and Semiotics
The Application of Psychoanalysis
Thinking Men and Masculinity
The Female Spectator: From Textual to Contextual Analysis
Genres and the Gendered Spectator
Third-Wave Feminist Theory: Complicating Sexualities
Sexualities and Spectators: Lesbian, Gay, and Queer Viewers
Sexualities and Spectators: Cross-Identity Viewing
Third-Wave Feminist Theory: Complicating Race and Ethnicity
Third-Wave Feminist Theory: Post-Colonial and Diasporic Theory
New Bodies, New Genders, New Sexualities
Identity, Self-Fashioning, and Politics
Syllabus for the Course: Feminist Television Criticism
Note: This is an ideological course in applying radical feminist theory to television media.
RTF 386c/WGS 393 – FEMINIST TELEVISION CRITICISM
Professor Mary C. Kearney
This course provides graduate students with an introduction to various critical and cultural approaches to feminist studies of television, including historiography, political economy, reception studies, and textual analysis. Our primary objective will be considering the relationship between sex, gender, feminism, and television in the United States, with particular emphasis on television’s industrial history, political economy, and representational strategies and their relation to differing modes of female subjectivity. In addition to performing close textual and contextual analyses of specific television programs and representations of females, we will examine the gendered construction of television viewing, particularly in relationship to women and the construction of the female audience. We will also investigate various representations of feminism on television, including the recent emergence of “postfeminist” shows.
After successfully completing this course, students will have the ability to:
· understand and discuss various theories and methodologies used in critical and cultural studies of television;
· understand and discuss various feminist approaches used in critical and cultural studies of television; and
· apply various feminist theories and methodologies to the relationship of women, gender, and feminism to television history, programming, and reception.
Syllabus for the Course: Women and Media Culture
Note: Another course in the application of radical theory. There is nothing academic about this course.
RTF 359s / WGS 324 - WOMEN AND MEDIA CULTURE
Professor Mary Celeste Kearney
This course introduces students to the critical analysis of women and media culture. Focusing specifically on media in the United States, students will explore the dominant strategies used by the commercial magazine, film, broadcasting, and recording industries to represent women and women’s issues, as well as to attract women consumers. Given that media texts often produce both progressive and reactionary representations simultaneously, one of our objectives will be to determine the effects of traditional and feminist ideologies of gender on portrayals of ,and consumer appeals, to women. In addition, we will examine how women participate in media culture via their roles as consumers and audiences, as well as fans of particular cultural texts. Although we will examine media texts produced and distributed by the commercial media and entertainment industries, we will also explore how women have created alternatives to mainstream media by creating their own cultural texts and practices. In order to understand and critique the ideologies and discursive strategies that structure women’s media representation, reception, and production, we will utilize a variety of theoretical perspectives, including feminist and gender theory, critical race theory, lesbian/gay/queer studies, literary criticism, film theory, television criticism, popular music criticism, cultural studies, and communication studies.
This course satisfies the College of Communication’s Substantial Writing Component requirement, as well as the Communication and Culture requirement.
After successfully completing this course, the student will have the ability to:
- recognize the dominant representational and discursive strategies used by the commercial media in the portrayal of women, as well as in specific appeals made to women consumers;
- understand how women consume media texts and how consumers’ particular identities produce different readings and uses of such texts;
- comprehend women’s reasons and strategies for producing alternative cultural forms; and
- apply various theories of gender and media in critical analyses of women-oriented media texts, women media consumers, and women’s alternative media production.
Syllabus for the Course: Theories of Gender and Sexuality
Note: More schooling in radical feminist theory.
RTF 386C – THEORIES OF GENDER AND SEXUALITY
Course unique #: 07590 Professor Mary C. Kearney
This seminar is intended to provide students with a broad survey of theories that are most relevant to and useful for critical analyses of gender and sexuality in visual culture, particularly with regard to cinematic representation, spectatorship, and authorship. Although we will begin with second-wave feminist explorations of gender and the cultural representation of women, our particular concern will be contemporary poststructuralist theories which move our understanding of gender and sexuality beyond the normative binaries of male/female, masculine/feminine, and heterosexual/homosexual.
- Feminist Film Theory (FFT) – Sue Thornham, ed.
- Issues in Feminist Film Theory (IFFC) – Patricia Erens, ed.
- Feminist Practice and Poststructuralist Theory – Chris Weedon
- Screening the Male (STM) – Steven Cohan and Ina Rae Clark, eds.
Abbreviated Syllabus for the Course: Black Feminist Theory & Praxis
Note: Training course in “black feminist theory” and political action (“praxis”). This is pure political ideology and makes no pretense of academic inquiry or scholary discipline.
In this course we will analyze theory and praxis of Black and Third World feminisms-- as political space, activist methodology, artistic inspiration and scholarly choice. We will analyze canon-forming theory, literature and personal essays by, for example, the Combahee River Collective, Audre Lorde, Gloria Hull, Michelle Cliff, Toni Cade Bambara, and other artists and scholars, as well as emerging work from Black British, Caribbean, Latin American and US hip-hop perspectives.
One of the most vibrant sites of theoretical and artistic production and on the ground organizing; Black feminism comes out of the tension between first wave feminism that insisted on sisterhood without adequate interrogation of the racism and classism of the majority of sisters, and various race-based movements that claimed that black people could only deal with „the woman question‰ after „the race question‰ had been settled. This position at the interstices of identity-based politics makes for a strategic locus for on the ground politics and academic work that in fact attend to multiply constituted identities-- including sexuality, class, nation and the consideration of history and material conditions-- as more than a rhetorical gesture.
Among the topics taken up: 'F- word' tensions such as the position of feminism in radical politics; the participation/position of men, 'gender' as an analytical category; 'womanism'; generational and national difference; and the participation/position of Lesbians.. Moreover, it will engage students in grappling with pressing contemporary events and popular culture from black feminist perspectives.
Abbreviated Syllabus for the Course: The US and 3rd-World Feminisms
Note: More feminist training.
This course explores the variety of feminisms developed by women of color and non-western women to critique the racism and ethnocentrism of white-dominated systems and practices, including feminism. We begin by examining the dominant approaches to feminist theory that emerged in the United States and Europe, such as liberal, socialist, and radical feminism, as well as feminist epistemology and post-modern feminist analyses. We will then focus on the critiques of these traditions developed by women of color and their insistence on the need to address the intersections of race, gender, sexuality, and class. Finally, we will examine recent debates regarding the initial emphasis on identity politics among black feminists, the relationship between black feminism and post-modernism, and contemporary re-conceptualizations of feminism in light of "difference" as a result of the critical perspectives developed by women of color.
Abbreviated Syllabus for the Course: American Dilemmas
Note: Another training course in radical politics.
Meets with course(s) SOC 336C, URB 354 AND AFR 320
This course examines critical American social problems that threaten the very fabric of our collective life as a nation. These include problems in the economy and political system, social class and income inequality, racial/ethnic inequality, gender inequality and heterosexism, problems in education, and problems of illness and health care. Special emphasis will be placed on showing how these problems have a disproportionately negative impact on men of color and women.
The course has three main objectives. One involves providing students with the theoretical and methodological tools needed to critically analyze these problems from a sociological perspective. A second involves providing students with current data and other information documenting the seriousness of these problems, especially for men of color and women. The final objective focuses on evaluating social policies addressing these problems (e.g., affirmative action, welfare-to-work programs, pay equity legislation), with special reference to questions of social justice, the common good, as well as public and individual responsibility.
Abbreviated Syllabus for the Rhetoric Course: Non-Violent Rhetoric
Note: This is not a course in rhetoric. It is a course in the politics of non-violent political action. This is not an academic course. It is a course in radical politics. The instructor, presumably trained in rhetoric, has no professional expertise for teaching about non-violent courses of social action and the course is structured to train students in non-violent doctrines not as an academic approach to non-violence. All the texts are ideological cases for non-violence. In other words, it’s a training course. Like the previous courses, it should have no place in a university curriculum.
The central issue in this course will be non-violence and virtual worlds. How would we define violence online? How can theories of nonviolence be applied online? Can nonviolent action online have an impact on violence in the "real world?" All texts create a shared space, all writing is situated in time and place. What kinds of places do writers construct, and how does a sense of place impact on audiences? How can the computer, a single medium for composing, provide a sense of such diverse places as the millions of Web pages, thousands of news groups and computer forums, virtual worlds such as MOOs and MUDs collaborative environments such as Interchange, desktops, directories, spreadsheets, databases, and other applications representing abstract spaces?
Students will take on roles in creating an online society, reflecting readings and class discussions on the subject of nonviolence. They will engage in various construction projects, both individually and collaboratively, developing a richer understanding of the theories and application of nonviolent action, and they will explore the importance of place in writing. In the process they will gain greater control over their own composing. Students will experiment with creating Web pages, position statements, rhetorical analyses, and textual places in a MOO or MUD. Readings will be drawn from prominent experts on nonviolence and nonviolent communication.
Three major projects including topic proposal, drafts, and final revision; informal writing as assigned, generally weekly, and completion of the Online Learning Record.
Project 1: A web site representing a role in the virtual world
Project 2: Position statement and rhetorical analysis
Project 3: Collaborative MOO "neighborhood"
Project 4: The Learning Record
Michael N. Nagler, Is There No Other Way? Marshall Rosenberg, Nonviolent Communication: A Language of Life
Thich Nhat Hahn, Peace is Every Step
The Essential Gandhi
Peter Ackerman, Jack Duvall, A Force More Powerful : A Century of Non-Violent Conflict
Jonathan Schell, The Unconquerable World: Power, Nonviolence, and the Will of the People